Literary agent Britt Siess shares a few tips that can make the process of writing a great query letter a bit less scary and more productive.
Knowing and understanding the constituent parts of a book cover will help you make the best marketing decisions when you design or commission your own.
In the November/December 2018 issue, the back-page “Potpourri for the Pen” column featured a matching game in which readers had to match the first lines of famous books to their titles. Find the activity here, followed by an answer key.
If you're writing a graphic novel or a comic, you need to consider how your images and text work together to spin the story. Here are a few ways to play with combining words and pictures in sequential art from author-illustrator Whitney Gardner.
Pitching high concept fiction can be the key to skyrocketing to the top of agents' slush piles, according to Angie Hodapp of Nelson Literary Agency. But what is (and isn't) high concept, and how do you go about framing your story as high concept?
Wondering how to sell an essay? Writing a cover letter that's short and perfect to introduce your pages will sell a piece faster than submitting an excellent article or essay with an uninspired note.
Amy Collins of New Shelves Books shares insider secrets about book sales and marketing tips for indie authors and small publishers, as well as small and indie publishing trends.
Memoir structure is as crucial as structure in fiction and no good memoir will be able to stand tall without it. Several ingredients can be used to create a structure that works for your book.
In his book 'Superhero Ethics,' Travis Smith blended his knowledge of political philosophy with superhero mythos. By outlining his writing process and what he learned, he demonstrates how combining pop culture topics with academic disciplines can make for fun and accessible nonfiction books.
Well-timed coincidences can catapult a story forward, but a poorly planned one can bring your readers to a dead stop. Use these 7 strategies to harness the power of this storytelling tool while steering clear of common missteps.
Zetta Elliott discusses addressing complex topics in children's fiction, starting her own imprint, Rosetta Press, and what she'll address in her upcoming keynote at indieLAB.
Smart ebook marketing works like a magnet to bridge the gap between readers’ unmet desires and your book’s ability to satisfy those desires. Here are seven proven ebook marketing strategies you can implement immediately, at no cost.
There are two types of authors: “author-authors” and author-entrepreneurs. The main difference is that the author-entrepreneur owns a business that their book is tied to and they make a living off of their business, which is partially fed by their book. Here's why that matters.
As with so many things in the publishing world, the best approach to self-publishing depends on your goals and available resources. Here are key considerations authors must make when deciding on the right self-publishing path for them.
If you're an author, aspiring novelist, freelance writer or small publisher who wants to expand your readership, improve your business prospects and earn more from your writing, join us this September at indieLAB, an all-new event from Writer's Digest.
When launching a book, your job is to find readers, engage with readers, write good books, and sell the heck out of said book(s). Here are a few rules from the business world that will make the investment of time and energy worth your while.
Writing is something we do on our own, but finding success requires a supportive writing community. Here's how to find and cultivate that community.
The key to successful collaborative writing, from an equal co-authorship to a ghostwritten autobiography, is a good contract that is clear about who has what roles, how rights and burdens are shared, and how to unwind the project if things implode. Here are the key terms your collaboration agreement should cover.
Want to write the best possible book? You need an editor. They are critical for making your writing “tight” and immersive. But before you do, you need to understand when to hire an editor.
Our panel of thriller agents provide their thoughts on the state of the thriller and suspense subgenres and share their own favorite thrillers and what makes them work, along with some crucial advice for querying.
There wasn’t enough space in print to include every pearl of wisdom our literary agents shared in this year’s annual agent round-up. Find useful advice for getting published in this online feature.
This July, 2,000 romance writers from all over the country, descended on Denver for the annual Romance Writers of America (RWA) conference. WD Books author and Writer's Digest conference speaker Kerrie Flanagan shares 5 takeaways for romance authors.
Many writers who can't get their first novel published put it in a drawer and write a second one. Gayle Abrams discusses the decision to put that first novel in the drawer and move on to book two, or to persevere with the first.
Sometimes we have to look outside of our usual medium to find the motivation we need to get the words on the page—or to just feel like someone else “gets it.” These web comics for writers perfectly illustrate what it feels like to be a writer, from the moment of inspiration...