Doug Richardson, writer of Die Hard 2, Bad Boys and Hostage, shares advice on whether you need to get the life rights before you start that screenplay.
Screenwriters Michael Weber and Scott Neustadter describe their creative process and the decisions that went into writing their Oscar-nominated comedy, The Disaster Artist.
Declaring that you’re planning on writing a trilogy and crafting a successful one are not quite the same thing. Having just completed his own fantasy trilogy, Dan Koboldt shares what he learned in the process, book by book.
Readers and writers of romance novels share the positive impact the books and the romance community have had in their lives.
Is your story falling flat? Jeanne Veillette Bowerman shares tips on how to elevate your story by literally, or not so literally, pushing them off a wall. Time to have one of those raw, brutal, hit-you-upside-your-head moments about your writing. You might want to get comfortable. Maybe lay down on my...
The path to being a professional writer can be harder when you become your biggest obstacle. Jeanne Veillette Bowerman dishes out tough-love advice to help you achieve your writing dreams.
Writers can work from just about anywhere, so why not work from everywhere? Meet some “digital nomads” who are making a living while exploring the world—and find out how you could become one of them.
Natalie D-Nalopeon discusses valuable lessons learned and victories from a year in which she aimed to reach 101 rejections for her writing.
This article is part of a series called Successful Queries. It features actual query letter examples to literary agents that were successful for authors. In addition to the successful query letter, you’ll also see the thoughts from the writer’s literary agent as to why the letter worked. Today’s features Anna Quinn and...
As major media outlets raise the question of whether sensitivity readers represent censorship, Anna Hecker offers her experience working with one.
New York Times bestselling author Lisa Genova writes novels chronicling the fate of ordinary people who are diagnosed with extraordinary and often fatal neurological diseases.
Accurately portraying the complexities of different religions is no easy task. Here are a few debunked myths to keep your characters from becoming caricatures.
The reprint market isn’t just for nonfiction articles. If you're looking to sell a short story, personal essay or a poem that's already been published, there’s a good chance you can sell it again. Learn how.
Successful indie authors who want to keep growing will eventually add offset printing to their capabilities. Here, Joel Friedlander discusses its potential.
Should the title of Bestselling Author be reserved only for those authors who hit the top of one of the “Big Lists” like in the good old days before Amazon led the industry to reconsider what the term actually means?
After pouring everything you had into your story, IngramSpark encourages you not to lose momentum and to consider prepping that book for publication. Here are some tips to make sure you set your book up for success.
Doug Richardson, writer of Die Hard 2, Bad Boys and Hostage, takes an author through the process of book to film and what an author can expect when working with Hollywood.
Script's Editor Jeanne Veillette Bowerman shares why screenwriters should take on the NaNoWriMo challenge by adapting backwards, screenplay to novel.
Years ago Bill Walsh helped me confirm whether or not you could use contractions with proper nouns, which I jokingly referred to as the "Klems rule." Here's what he had to say. (He will be missed.)
There are several rules of thought on how to handle writing numbers, but the most common is pretty simple. Here's when you should spell out numbers and when you shouldn't.
When agents ask for sample chapters, which chapters should you include? If your strongest chapters fall in the middle, is it OK if I send those? The answer is different for fiction and nonfiction.
Knowing the difference between peek and peak piqued my interest. Here are the differences explained in a simple, easy-to-understand way.
Cindy N. asks writing expert Brian A. Klems "What is a poetry chapbook, and how is it different from a regular book?" Here he gives a detailed explanation.
What are First North American Serial Rights, how do they work and what does it mean for you when trying to get your writing published? Find out here.