March/April 2014 Issue
Free Writing Downloads
Workshops Starting April 17th
- Query in 14 Days
- Fundamentals of Nonfiction
- Essentials of Travel Writing
- Build Your Novel Scene by Scene
- Essentials of Business Writing
- Outlining Your Novel
- Revision and Editing
- How to Blog a Book
Workshops Starting April 24th
- Query in 14 Days
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Writing Editor Blogs
Guide to Literary Agents Blog
by Chuck Sambuchino
GLA Editor Chuck Sambuchino keeps track of all news related to literary agents and writing conferences on his blog. Common features include agent interviews, new agency listings, agency profiles, upcoming conferences of interest, contests and other publishing opportunities, valuable writing resources, submission tips and information, and a blogroll of other agent blogs. Read Chuck’s Blog
There Are No Rules
by the editors of Writer’s Digest
Get on the cutting edge of today’s publishing trends and how authors can succeed in a world of fast-paced technological change, guided by the editors of Writer’s Digest. You’ll get an inside look at the work, play, and passion of the publishing business and find practical tools for success. Read There Are No Rules
Questions & Quandaries
by Brian Klems
Don’t know the difference between “who” and “whom”? Facing an ethical dilemma about accepting gifts from subjects? Let the informative (and humorous) columnist Brian A. Klems answer some of your most pressing grammatical, ethical, business and writing-related questions. Check out his advice and don’t hesitate to ask a question—your writing career will thank you. Read Brian’s Blog
by Robert Brewer
Published poet Robert Lee Brewer blogs on issues affecting poets from the poet’s perspective. As the editor of Writer’s Market, Brewer also shares insights on the publishing industry, especially as it relates to poetry and the poetry markets. He also explains poetic forms, interviews other published poets, and provides the occasional poetry prompt. Read Robert’s Blog
Readers expect emotion. Oh, they love humor as well but they expect and really want characters they can identify with deeply, who go through pain and learn and heal and come out on the other side changed and triumphant!
Writer Sharon Sala teaches a workshop on how to express emotion. Her advice sounded easy but opened a new world to me: to convey the emotions your characters feel, dig deep inside yourself, find those emotions you may not have allowed yourself to show before. Remember the time you were saddest or deeply devastated or very happy and imbue your characters with what you felt.
GIVEAWAY: Jane is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: writeandtravel won.) Read more
Hope the time change hasn’t been messing with folks too much (in places that have it–like here in Atlanta). Somehow I get an extra hour, and it still feels like I lost … Read more
Maria is seeking: Maria is looking for literary and commercial fiction, new adult, young adult, middle grade, high-concept picture books, and nonfiction proposals in the pop culture, pop psychology, design, and lifestyle categories. She has a particular interest in magical realism, fiction with visual components, and nonfiction inspired by online culture. Read more
It’s not too late to catch up, but for those who are already on day three: Great job! After today’s poem, you’ll be a whole 10% through the month. We’re going to … Read more
Outlining Your Novel: Create a Roadmap to Storytelling Success — Nov 7 Webinar With Critique by K.M. Weiland
Writers often look upon outlines with fear and trembling. Won’t outlines limit your creativity and rob the joy of discovery from your first draft? Why spend all that time preparing for a story when you could be writing it? But when properly understood and correctly wielded, the outline is one of the most powerful weapons in a writer’s arsenal. K.M. Weiland, author of Outlining Your Novel: Map Your Way to Success, will help you learn how to choose the right type of outline for you, brainstorm plot ideas, and discover your characters.
Outlines ensure cohesion and balance in the finished story. They prevent wasted time pursuing dead-end ideas, allow you to craft resonant foreshadowing, and, most importantly of all, provide you a foundation of confidence and motivation. K.M.’s new webinar is called “Outlining Your Novel: Create a Roadmap to Storytelling Success.” It all happens at 1 p.m. EST, Thursday, Nov. 7, 2013, and lasts 90 minutes. Read more
Every week literary agents receive hundreds of query letters from aspiring writers who are hoping to interest the agent in their project. Why then, would agents take time from their busy schedules to go to a writers conference and meet yet more writers in person?
I’ve worked with over a hundred literary agents during the 9 years I’ve been organizing the Backspace Writers Conferences held twice-annually in New York City, as well as the newly minted Salt Cay Writers Retreat taking place this October on a private island in the Bahamas. So I asked a few of my favorite agents why they attend writers conferences. Read more
What’s more challenging than taking that first step? Taking a second step. Let’s keep November going. For today’s prompt, write a “news of the day” poem. The poem should use some sort … Read more
Our next Top 25 poet from the 2013 April PAD Challenge is Nancy Posey. She’s one of the more active poets on this blog, but she’s also an incredible reader. Tammy and … Read more
Welcome to Day 1 of the 2013 November PAD Chapbook Challenge! Let’s get some poeming done this month! For today’s prompt, write an appearing poem. This could be a poem about something … Read more
2. You may have to compromise to gain commercial success. As an artist working in a commercially driven industry, you could face an uncomfortable choice. Your agent and publisher will usually look at your labour of love with an eye on what is right for the market, not what is right for your vision. Publishing is an industry, and industries want to make money (although kudos and credibility in the form of prizes or critical acclaim from the intelligentsia form a lesser part of the equation). It is up to you whether you refuse to compromise your vision, and thus run the risk of your career facing a potentially fatal setback, or accede to their requests. Just make sure you can live with the consequences of your decision.
GIVEAWAY: Michael is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: spacehg won.) Read more
I’m always surprised and humbled by the gracious notes I receive from readers about my Editor’s Letters—but no letter in recent memory has drawn as much of a response as the one … Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring S. Jane Gari, author of the memoir LOSING THE DOLLHOUSE. These columns are great ways for you to learn how to find a literary agent.
S. Jane Gari lives in Elgin, South Carolina with her husband and daughter. Three adapted chapters from her memoir, LOSING THE DOLLHOUSE, have been published, and all three were nominated for the Pushcart Prize. She has also co-written Flush This Book, a collection of humorous essays. Read more
We’re two days from beginning the 2013 November PAD Chapbook Challenge! Click here to read the guidelines. As such, this will be the final Wednesday Poetry Prompts post until December 4, because, … Read more
“I love it!” That’s what I hoped my agent (let’s call her Agent A) would say when she read the manuscript of what is now my book, LOYALTY. After all, I’d spent a year writing the manuscript based on her feedback of the first fifty pages. I loved Fina Ludlow, the Boston private investigator I’d created, and felt confident it was the best thing I’d ever written. But Agent A didn’t love it. In fact, she told me, “I can’t sell this.”
A couple of years earlier, I’d signed with Agent A based on an amateur sleuth series I’d written. She loved that protagonist and worked hard to sell the manuscript, but publishers weren’t biting. When it became clear to me that that the series was going nowhere fast, I decided to flex my writing muscles and create a new character; Fina Ludlow and her family of ambulance chasing attorneys were born. So what happens when you love the work, but your agent doesn’t? I faced a dilemma that writers and other creative types encounter routinely. How do you decide which advice to incorporate into your writing and which to relegate to the “thanks, but no thanks” folder? Read more
You may already know all about this exciting subgenre, but maybe you’ve just heard the term in passing and you’re still not 100% sure what the heck it means, or maybe this … Read more
1. DO Start small. Writing short stories is a great way to do that. Many novelists have started this way, including me. Writing a good short story forces you to create and develop a character and take a plot from beginning to end in a limited number of pages. It also prepares you for writing a novel, because each chapter is basically a short story. Writing a short story is also much less intimidating than writing a novel.
GIVEAWAY: Mary is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: emilyjjs won.) Read more
With another November PAD Chapbook Challenge about to start, I thought I’d share some tips I’ve picked up over the years on assembling poetry collections, especially chapbook-sized manuscripts. These tips aren’t for … Read more
About Beth: “After graduating from New York University, I found my footing as an intern with the Levine Greenberg Literary Agency. Since then, I’ve held positions at Waxman Leavell Literary and Howard Morhaim Literary Agency.”
She is seeking: Beth Phelan represents fiction for young adults and middle grade readers, select commercial and literary adult fiction, and nonfiction by way of lifestyle, cooking/food writing, humor, pop culture, LGBT and pets/animals. For adult fiction, she leans toward new adult, suspense, thriller, and mystery. Read more
Get an Agent For Your Middle Grade Novel: Secrets for Query Letters & First Pages Revealed — Oct. 31 Webinar with Critique
It might seem as though getting a children’s book published is easy—just look at JK Rowling! In reality, however, children’s books (and middle grade books in particular) are among the most challenging works of literature to craft. Nailing the narrative voice of middle grade, and finding the right balance of character, heart, and plot to keep child (and adult!) readers invested in your work is an art. And then you have to boil all that down into a cover letter for an agent or a publisher to read.
That’s why we have literary agent Brooks Sherman (FinePrint Literary) teaching a new webinar, “Querying Middle Grade: How to Grab an Agent’s Attention and Keep It,” at 1 p.m., EST, Thursday, Oct. 31, 2013. It lasts 90 minutes. All attendees get a critique of their manuscript’s first 2 pages. And don’t forget that at least 4 literary agents have signed writers after reading their work as part of a WD webinar or boot camp. Read more
4. Turn on the light to get down your thoughts. I’ve often grabbed my clipboard and pen in the dark, cavalier and overconfident, brimming with creative bounty, and started writing like mad. In the morning, I look and the words, completely unintelligible, are splattered over the page like a drunken sonnet.
5. Sit up to write. An effort, I know. Sometimes, fatigue creeping back, I’ve compromised by reclining. I scribble like a demon and, sated, slide down again. Next day’s result: see #4. Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Steph Cha, author of FOLLOW HER HOME, a mystery. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings.
This column is written by Steph Cha, author of the 2013 mystery debut FOLLOW HER HOME (Minotaur). Steph’s agent is Ethan Bassoff of Lippincott Massie McQuilkin. Read more
This week’s featured poet didn’t only make the Top 25 list for the April PAD Challenge, he was also named Poet Laureate for 2013. Please welcome William Preston! William Preston is a … Read more
“The three types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the lights go out and something green and slimy splatters against … Read more
A little while back, I hosted the fourth edition of my musical blog contest called “Tunesday,” which is essentially just Name That Tune with me playing riffs on the guitar and piano for writers to guess. We had a winner to the contest, and the winner’s interview answers are finally in, so it’s time to reveal the answers to Volume 4 and meet J.D. Abbas, the writer who won the latest contest. To revisit the 4th edition of Tunesday, click on this video in the blog post and watch it again. Or skip below to meet winner J.D. and see the 17 correct answers. Read more
I had some reservations about attacking the lai, because of the short lines and repetitive rhymes. I was worried the poems might be too stilted, but as usual, I was pleasantly surprised … Read more