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October 2014 Issue
Free Writing Downloads
Workshops Starting October 2nd
Writer’s Digest Popular Fiction Awards—Deadline Coming Soon!
Writer's Digest Popular Fiction Awards—Deadline Coming Soon!
Hurry—submit your short story by October 15!
Submit your best short stories in the Romance, Thriller, Young Adult, Crime, Horror or Science Fiction genres for a chance at the Popular Fiction Awards Grand Prize of $2,500 cash and a trip to the 2015 Writer’s Digest Conference!
Enter as many stories as you like in multiple genres, but all entries must be fewer than 4,000 words. Don’t delay—this could be your winning year!
Chuck Sambuchino’s Guide to Literary Agents Blog
Chuck Sambuchino is an editor and published author who runs the Guide to Literary Agents Blog, one of the biggest blogs in publishing. His site has instruction and information on literary agents, literary agencies, query letters, submissions, publishing, author platform, book marketing, and more.
1. Hearing voices in your head isn’t a bad thing if you’re a writer. When I start to hear voices in my head, it’s a good sign. It means that my characters are coming to life. When I start something new, I’m always waiting for that moment, when, Golem-like, my characters will take on their own lives. For me, that’s when I start to hear them talk. I finish a scene on the page, but I can still hear them chatting. I like to eavesdrop on their conversations. It’s very reassuring. Read more
My Writing Life: GNOME ATTACK Mentioned by Mental Floss, and I’m Signing Books at Cincinnati’s Book Festival on Oct. 12, 2013
I will be signing books at Cincinnati’s huge book festival, Books by the Banks, from 10 a.m. to 4 p.m., Saturday, Oct. 12, 2013, at the Duke Energy Convention Center in downtown Cincinnati. Come by and say hello! But there are way more reasons to pop by the festival than to see me. Besides me (Chuck), you can also meet fellow WD staffer Brian A. Klems, who, in 2013, celebrated the release of his successful humorous parenting book, OH BOY YOU’RE HAVING A GIRL. Read more
About Anna: Anna Olswanger has been an agent with Liza Dawson Associates for eight years. In addition to being a literary agent, Anna is the author two children’s books: Shlemiel Crooks, a Sydney Taylor Honor Book and PJ Library Book, and Greenhorn, an illustrated novel for middle grade readers. In 2011, a family musical based on Shlemiel Crooks premiered at Merkin Concert Hall in New York. Anna lives in the New York metropolitan area. You can read more about her at her website www.olswanger.com. You can also find her on Twitter.
She is seeking: She focuses on adult nonfiction and children’s books from picture books to YAs, and especially enjoys working with author-illustrators. Although she rarely takes on novels, she’s intrigued by historical fiction (especially mysteries), stories with animals as the protagonists, Southern settings, Judaica and Israel. Read more
1. Open a new Word document.
2. Save it as tentative book title.
3. Wonder if any other books have this title
4. Check Twitter.
5. Google tentative book title.
6. Feel relieved that you’re somewhat original… Read more
Based in Vancouver, Canada, agent Brian J. Wood of the Brian J. Wood Literary Agency enjoys bringing compelling sports stories to the marketplace. He is dedicated, passionate and has worked with Canada’s top sports television personalities.
He represents: nonfiction, specializing in sports titles. He represents both Canadian writers and American writers. Read more
We have a very special new contest going down right now on the GLA Blog. Here’s the deal. On Broadway right now, there is an awesome play adapted from John Grisham’s novel, A Time to Kill. It features a huge cast, including some amazing veteran actors you’ve seen in a bunch of movies — such as Tom Skerritt of Alien, Top Gun and MASH. It was adapted to the stage by Tony® Award-winning playwright Rupert Holmes, and Grisham himself says the result is amazing. We’re giving away tickets on this blog. Keep reading if you want to win a pair! (UPDATE: Barrm and Nadre11 won.) Read more
I didn’t get my agent the traditional way. I found agent Michelle Brower of Folio Literary through a different route.
I tried the traditional way, of course. I sent queries, I sent chapters, I sent samples and stories and clever letters, but they didn’t work. In the end, an agent approached me. You could say this was an accident or a gift of chance, but you’d be wrong. The fact is, I concentrated on getting my work published in smaller markets, and it got noticed. You can make this work for you, too.
Here’s how I made the “getting published in smaller markets” part happen… Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Richard Ellis Preston, author of ROMULUS BUCKLE & THE CITY OF FOUNDERS. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings.
GIVEAWAY: Richard is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: DanielJayBerg won.) Read more
About Adam: He was formerly Director of Rare Books and Manuscripts at Leslie Hindman Auctioneers. Muhlig has been active as an independent appraiser of literary materials, including books, original manuscripts, letters, and other archival materials, for over fifteen years. His clients include authors, composers, performers, libraries, archives, and other private and public educational institutions throughout the United States.
He is seeking: authors of books offering new analysis and fresh perspectives by or about mavericks in the field of music – from jazz to classical to punk – as well as texts focusing on natural history, travel, adventure and sports. Read more
Write Great Openings for Young Adult or Middle Grade Novels: Oct. 3 Webinar (With Critique!) by Agent Carlie Webber
The opening of your novel sets the stage for everything you want to accomplish. You only have one chance to establish a memorable voice and get readers to follow your characters into your story. Writing YA or MG presents the additional challenge of an audience of discriminating, impatient readers who won’t wait until page 40 for your book to get good.
That’s why we have literary agent Carlie Webber (CK Webber Literary) teaching the new webinar, “Writing Great Openings for Young Adult or Middle Grade Novels” at 1 p.m., EST, Thursday, Oct. 3, 2013. It lasts 90 minutes. After sharing her own best practices, Carlie will use opening pages from published books to show you the dos and don’ts of opening your YA or MG novel (including: never start with your main character getting out of bed), and the common mistakes that stop agents from reading beyond your first page.
Don’t forget that multiple agents have signed writers after critiquing their work as part of a WD webinar. Also, all attendees receive a critique from Carlie. Read more
1. Keep your manuscript, not your head, in the clouds. I used to be casual and nonchalant about saving my writing to a remote server – until a heartless perp broke down my front door, rampaged through my house, and stole my computer containing my manuscripts and research notes, pictures, blogs in progress, and all of my contact information. Even so, I was lucky. I had sent my most recent novel to the publisher just a few days before. I had a hard copy of an earlier draft, but the thought that I might have had to recreate all of the edits from memory made my blood run cold. As the saying goes, “Experience is a dear school, but fools will learn in no other.” I now send everything to that mysterious, digital Cloud in the sky on a daily basis. Read more
There is no writer, no matter how famous and fabulous, who doesn’t deal with rejection. One might say that the difference between a published writer and an unpublished writer is that one of them was persistent in the face of rejection and the other one simply folded. I say, don’t let rejection bury you! Instead, take these simple steps that will lead you gracefully and quickly out of the boggy-bottomed swamp of rejection-based self-pity.
1. Accept the simple fact that rejection is part of your writing life. Accept that you will not get special treatment. Ever. The bigger your ego, the bigger the self-image explosion will be when those first few rejections start appearing in your inbox or mailbox. Each time you are rejected, be sure to look out at the night sky and recognize your insignificance. Let that idea of insignificance keep your ego in check.
GIVEAWAY: Jessica is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Alison D won.) Read more
Querying 101: Putting Your Best Book Forward — New Sept. 26 Webinar (With Critique) by Agent Jennifer De Chiara
Maybe you’re the next Stephen King, maybe you’ve written a New York Times bestseller, but if you don’t know how to query, no one will ever know. Learning how to write a great query, one that will not only make an agent want to read your book but pick up the phone and call you the minute he/she reads your query, is essential if you want to be a published author.
Literary agent Jennifer De Chiara will guide you, step by step, in writing the perfect pitch for your book. She’ll offer do’s and don’ts from her 16+ years of agenting and share queries that got her attention and those that didn’t. De Chiara will also give tips on how to find the right agents to query – if you’ve written a dynamite query, it’s still worthless if you’re not sending it to the right agents. It’s all part of her new webinar: “Querying 101: Putting Your Best Book Forward.” The webinar happens at 1 p.m. EST, Thursday, Sept. 26, 2013, and lasts 90 minutes. All attendees receive a query critique. Don’t forget that at least 4 agents have signed writers after critiquing their work as part of a WD boot camp or webinar. Read more
Prior to working with Susan Swinwood, senior editor of Mira Books, my only experience with editors dated back to my college days. A short story called “ The Sand Castle” was picked up for our college literary magazine. The editor said he loved my story, but added that it could use “a spot of editing.” I didn’t really know what editing entailed, but was amazed at how changes he made to my story altered the flavor completely, not wholly to my liking. For example, he replaced a simple sentence like “He slipped out of the apartment” with “The urge in him wound itself around the door knob.” Many such robust edits later, the story still had my byline, but frankly I felt like it had been written by someone else. This unfortunate experience gave me a jaundiced view of an editor’s job, which I believed was to bully writers and mess up good writing (or at least my definition of “good.”)
GIVEAWAY: Shona is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: bendwriter won.) Read more
Andy is seeking: “My agency represents books in a wide range of subjects including: narrative nonfiction, science, journalism, history, current events, and fiction. For nonfiction, I look for writing with a strong voice, robust arc, and books that tell a big story about culture and society by authors with the authority to write about their subject. I am also seeking works of literary, commercial, and young adult fiction. I like stories about real people in the real world. No vampires and trolls, thank you very much.” Read more
1) Don’t send your manuscript out to every agent at once. I learned this by mistake. I made a list of twelve agents that I wanted to send my book to and prepared a submission pack for each one. I then realized that I only had three stamps so I sent three out and decided that I might as well wait and see how they responded before sending the rest. I’m glad I did. All three turned it down and all three mentioned that they didn’t like synopsis. I rewrote the synopsis (which, in fairness, was awful) and sent out the manuscript to the remaining seven agents on my list. Five said yes! Maybe they would have been interested anyway, who knows, but it makes sense to submit in batches to take advantage of any feedback you might get.
GIVEAWAY: M.M. is excited to give away 2 free copies of her novel to a random commenter. Comment within 2 weeks; winners must live in US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Jeri Baird won.) Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Monica Wesolowska, author of HOLDING SILVAN [a memoir]. These columns are great ways for you to learn how to find a literary agent.
GIVEAWAY: Monica is excited to give away a free copy of her book to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: PGreene34 won.) Read more
1) Make sure you’re in love. I’m not a genius, my stories are not born lovely and perfect, their language strong, their plot lean and exciting. I have to work at it—a lot. And I don’t mind, because I enjoy editing. But I know there’s a big difference between revising a story I love and revising one I’m just fond of.
Perhaps this is obvious but to me the most important factor in ensuring successful revising is to be working on a piece that has legs or emotional resonance for you. If not, you’ll probably give up long before it’s in the best shape possible. So what’s the key to knowing if it’s love or just infatuation? I once listed all of the stories, screenplays and plays I’d written—over 30—and looked at the themes, characters and plot, and I was able to see certain patterns. Not surprisingly, whenever I loved a story and its themes and characters, I ended up revising it enough that it was perfect—or as perfect as I could make it. And that story usually resonated with others. Read more
This interview features Carole Jelen, vice president at Waterside Productions. As publishing agent for two decades and coauthor of Creating Your Author Platform: The New Rules, this former publishing executive and editor has worked with innovators including Steve Jobs, and is designated as a “Career Builder” literary agent. Among her slew of unique specialties and responsibilities, she also connects authors to publishers in all top series, such as the branded “For Dummies” line and build author careers with single titles and full series lines.
She is seeking: Her top-selling specialty areas include technology, business and self-help. Read more