Reminder: New literary agents (with this spotlight featuring Brooks Sherman of FinePrint Literary Management) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Brooks: Brooks Sherman is thrilled to be living once more in Brooklyn, after a two-year stint with the Peace Corps in bucolic West Africa and a one-year stint in the savage jungles of Hollywood. He joined FinePrint Literary Management as an intern in 2010 and now, as an associate agent, is actively seeking a range of both fiction and nonfiction projects. You can find him on Twitter at @byobrooks.
He is seeking: On the adult side, literary and upmarket fiction running the gamut from contemporary (with an eye toward multicultural or satirical) to speculative (particularly urban/contemporary fantasy, horror/dark fantasy, and slipstream). Brooks also has a weakness for historical fiction and a burgeoning interest in crime fiction. For nonfiction, he is particularly interested in works that focus on current events, history, and pop science/sociology. On the children’s side, he is looking to build a list of boy-focused Middle Grade novels (all subgenres, but particularly fantasy adventure and contemporary), and is open to YA fiction of all types except paranormal romance.
Brooks is specifically seeking projects that balance strong voice with gripping plot lines; he particularly enjoys flawed (but sympathetic) protagonists and stories that organically blur the lines between genres. Stories that make him laugh earn extra points. Recent favorites include Whiteman by Tony D’Souza, The Time Traveler’s Wife by Audrey Niffenegger, the Monstrumologist series by Rick Yancey, The Thieves of Manhattan by Adam Langer, and Horns by Joe Hill.
How to contact: Please send queries to brooks [at] fineprintlit [dot] com.
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- Follow Chuck Sambuchino on Twitter or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and how to write a query letter.
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