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  • Guide to Literary Agents

Narrative Nonfiction

Literary Agent Interview: Linda Epstein of Jennifer De Chiara Literary

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Linda is seeking: Accessible literary fiction, upscale commercial fiction, vibrant narrative nonfiction, some fantasy, and compelling memoirs. She also accepts middle-grade and YA fiction. Her nonfiction areas include alternative health and parenting books, cookbooks, select memoirs, and the right spiritual/self-actualization book. She does not accept: Bodice-rippers or anything with dead, maimed, or kidnapped children; thrillers; horror; romance or traditional science fiction.. Read more

Literary Agent Emma Patterson of Brandt and Hochman Literary Seeks New Clients

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Emma is seeking: “I am on the lookout for literary and commercial fiction, upmarket women’s fiction, historical fiction, narrative nonfiction, pop culture, memoir, food writing, and YA and MG fiction and nonfiction. I’m open to mostly any project with strong writing, an original premise, and a story that immediately grabs me – and I still think about weeks after I’ve finished reading it. I’m especially drawn to stories that make me cry, laugh, or transport me to a world that’s new to me. So long as the writing is strong, I don’t shy away from dark or quiet stories. I don’t tend to like category or genre fiction.” Read more

New Literary Agent Alert: William Boggess of Barer Literary

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William is seeking: “In fiction, I’m looking for strong voices that have the authority to draw me into a different world—even if that just means a fresh perspective on the world we live in day to day. I like novels of many different styles—Larry McMurtry, Ann Patchett, Walker Percy, Evelyn Waugh, and Daniel Woodrell are some favorites—but I always appreciate authors who strive for that challenging balance between inspired, inventive prose and a gripping, detailed story. Being a native North Carolinian, I love southern fiction, and would be proud to help keep the tradition going strong. I also have a soft spot for story collections, although the market for them is very tough these days. In nonfiction, I’m interested in literary memoir, popular science, narrative history, and smart sportswriting. I am not interested in practical nonfiction (cookbooks, diet books, how-to), YA, or genre romance/thrillers/fantasy.” Read more

Agent Advice: Kristina Holmes of The Holmes Agency

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This installment features Kristina Holmes of The Holmes Agency. She began her literary career at Ebeling & Associates, and after six years left to start her own venture. Fueled by a passion to bring meaningful books to the world, on January 2012, her agency was born. From her home base in Boulder, Colorado, she`s been positively impacting authors ever since.

She is seeking: practical and literary nonfiction: health & wellness, business, spirituality, relationships, sex, nature, environmental issues, science, cookbooks, gift books, creative nonfiction and memoir. Read more

New Literary Agent Alert: Kezia Toth at Union Literary

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Reminder: New literary agents (this spotlight featuring agent Kezia Toth of Union Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

Kezia is seeking: She is especially interested in narrative nonfiction, “big idea” books, American cultural history, and pop culture. Kezia is also passionate about all sorts of fiction, including young adult and middle grade novels. Read more

Literary Agent Jody Klein of Brandt and Hochman Literary Seeks New Clients

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I’m not considering this a true New Agent Alert because agent Jody Klein (of Brandt and Hochman Literary Agents, Inc.) is not brand new. That said, this post resembles an Alert in that Jody did tell me recently how she is actively looking to build her client list right now — and that is something writers should be happy to know. All details below for those interested in querying her!

She is seeking: Jody is actively acquiring literary and commercial fiction, crime/suspense, historical fiction, graphic novels/memoirs, and magical realism, as well as narrative nonfiction (especially related to sports, science, or history), and prescriptive nonfiction. Read more

New Literary Agent Alert: Steve Kasdin of Curtis Brown Ltd.

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He is seeking: “The most important thing I’ve learned in over twenty years in publishing is also the simplest: plot sells. And the definition of what makes a great plot is also very simple: interesting, well-drawn characters thrown into unpredictable situations. I’m looking for: commercial fiction, including Mysteries/Thrillers, Romantic Suspense (emphasis on the suspense), and Historical Fiction); Narrative Nonfiction, including Biography, History and Current Affairs; and Young Adult Fiction, particularly if it has adult crossover appeal. I am NOT interested in SF/Fantasy, Memoirs, Vampires and writers trying to capitalize on trends.” Read more

New Literary Agent: Rachel Hecht of Foundry Literary + Media

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She is seeking: As a domestic agent, Rachel seeks children’s projects of all stripes, from picture books through to young adult fiction, as well as select fiction and nonfiction projects for adults that are wonderfully written and completely absorbing. “In terms of adult fiction, the strength of the voice and quality of the writing is what is most important to me. I am seeking literary as well as upmarket/commercial projects, and would love to see projects with crossover potential as well as those that blur the boundaries between genres – especially in the thriller, fantasy, and historical categories (but a polite no thank you to straight genre writing)…” Read more

New Agent Alert: Margaret Bail of Andrea Hurst & Associates

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Margaret is seeking: adult fiction only. Specifically, she seeks romance, science fiction, thrillers, action/adventure, historical fiction, Western, fantasy (think Song of Fire and Ice or Dark Tower, NOT Lord of the Rings or Chronicles of Narnia). Please do not query with YA, MG, or children’s books. Also, Margaret does not seek steampunk, Christian/religious literature, chick lit, poetry, screenplays. Read more

New Literary Agent: Samantha Dighton of D4EO Literary

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She is seeking: Sam is looking for character-driven stories with strong voice. She likes characters who are relatable yet flawed, vibrant settings that take on a life of their own, and a story that lasts well beyond the final page, generally falling within the categories below: Literary fiction, Historical fiction, Mystery/suspense, Magical realism, Psychological thrillers, Young adult (realistic), Narrative nonfiction. Read more

Literary Agent Interview: Lindsay Edgecombe of Levine Greenberg Literary Agency

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“Agent Advice” (more than 170 interviews so far!) is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features Lindsay Edgecombe of Levine Greenberg Literary Agency. Prior to becoming a literary agent, Lindsay graduated Phi Beta Kappa, summa cum laude from Barnard College, Columbia University where she edited The Columbia Review and worked with students to develop writing in the Writing Fellow program. Read more

Literary Agent Interview: Melissa Flashman of Trident Media Group, LLC

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“Agent Advice” (more than 150 interviews so far!) is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features Melissa Flashman of Trident Media Group, LLC. Melissa grew up in Kentucky, graduated from Wesleyan University, and studied in the Ph.D. program in English at Johns Hopkins. She worked as an assistant at International Creative Management (ICM) before joining Trident Media Group. You can find Melissa on Twitter here. Read more

Literary Agent Interview: Elizabeth Evans of Jean V. Naggar Literary Agency

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“Agent Advice” (more than 150 interviews so far!) is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features Elizabeth Evans of Jean V. Naggar Literary Agency. Elizabeth Evans joined JVNLA in January 2010. Previously, she worked for six years in the San Francisco Bay Area with Kimberley Cameron & Associates. Elizabeth has a degree in English literature and received an MFA in writing from the University of San Francisco. She is the founder of Room to Write, a volunteer group of over forty New York City publishing professionals. Read more

Literary Agent Interview: Deborah Grosvenor of Grosvenor Literary Agency

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This installment features Deborah Grosvenor of Grosvenor Literary Agency. Formerly with Kneerim & Williams, Deborah reopened Grosvenor Literary Agency in January 2011. With more than 25 years’ experience in the book publishing business as an agent and editor, she has edited or represented several hundred books—and her best-known fiction acquisition is Tom Clancy’s The Hunt for Red October.

She is seeking: Grosvenor is interested in narrative nonfiction in the categories of history, biography, politics, current and foreign affairs, memoir, food, health, the environment and travel. For fiction, she is simply interested in great storytelling, especially in an historical context.
Read more

Literary Agent Interview: Howard Yoon of Ross Yoon Literary

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This installment features Howard Yoon of Ross Yoon Literary. Starting in 1992 as Gail Ross’s literary assistant, Howard worked his way up to literary agent and principal of the Ross Yoon Agency as an editorial director, ghostwriter, foreign rights manager, book consultant and editor. He is also the co-author of, Begging for Change (HarperCollins), which won the Terry McAdams prize for best book on the nonprofit sector.

He is seeking: nonfiction in the areas of narrative nonfiction, memoir, current events, history, science, cookbooks, and popular culture. Read more

How I Came to Write ”The Floor of Heaven”

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The more I read, and the more I thought about all that I was reading, I became fixated not so much on the taming of the American West as I was by what happened after the West was won. Like my childhood “West” that came to an abrupt end at the hands of the developers, I became intrigued by an Wild West that had suddenly grown civilized. In the 1890s the vanquished Indian tribes had settled with dour resignation on government reservations, the wheels of steam engines now clicked and clacked against the metal tracks stretching across the plains where short generations ago herds of buffalo had thundered, and homesteaders pounded sturdy fence posts and plowed the rich brown earth. Read more

7 Things I’ve Learned So Far, by Matt Baglio

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This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers at any stage of their career can talk about seven things they’ve learned along their writing journey that they wish they knew at the beginning. This installment is from writer Matt Baglio.

Matt Baglio is the author of The Rite: The Making of a Modern Exorcism (2010, Doubleday). The movie adaptation of the book was released to theaters on Jan. 28, 2011. Read more

Literary Agent Interview: Katie Kotchman of Don Congdon Associates

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This installment features Katie Kotchman of Don Congdon Associates (no website available).

She is seeking: a wide range of fiction and nonfiction, specializing in narrative nonfiction, business, YA, mystery/thriller, and upmarket women’s fiction. In the fiction projects she represents, she looks for quirky characters, fast-paced plots, and, of course, quality writing. For nonfiction, she’s always looking for authors with ready-made platforms and unique ideas from whom she can learn something new. Read more

Literary Agent Interview: William Clark of William Clark Associates

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This installment features William Clark of William Clark Associates. William is a native of Virginia and was educated in the United States, France, and England. Moving to New York in 1992, he worked at five agencies, including Virginia Barber Literary Agency and William Morris Agency, before founding the agency in 1997.

He’s currently seeking: mainstream literary/commercial fiction with a very strong voice, and narrative non-fiction (memoir, history, politics, current events, Buddhism, popular culture, adventure/travel, biography, autobiography, music, business, cookbooks, interior design). Read more

Literary Agent Interview: Laurie Abkemeier of DeFiore and Company

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This installment features Laurie Abkemeier of DeFiore and Company. Originally from northern California, Laurie cut her teeth as an editor at Hyperion, where she was responsible for five New York Times best-sellers, including Brain Droppings by George Carlin. In 2003, Laurie became a literary agent, exclusively representing nonfiction.

She is seeking: funny memoirs and entertaining approaches to serious subjects. She is currently most interested in accessible narrative nonfiction and investigative journalism in the areas of science, nature, history, pop culture, and sociology–and legal and medical investigations in particular.
Read more

Agent Jon Sternfeld On: 5 Elements of Interesting Narrative Nonfiction (and Memoirs)

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Narrative nonfiction is a difficult and crowded market. Here are some thoughts about distinguishing your work from the pack.

1. Arcs: Like a strong novel, make sure the story and the main character have Narrative Arcs—that is each needs to go somewhere. Finding the arc is key or else the story is a jumble of disjointed vignettes that lead nowhere. Evolution of character and movement of the story make a true story as engaging to read as a novel.

2. Inverse Rule for Nonfiction: The less well known the subject/story, the more blow people out of the water amazing the story needs to be. Read more

Literary Agent Interview: Danielle Chiotti of Upstart Crow Literary

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This installment features Danielle Chiotti of Upstart Crow Literary. Formerly a Senior Editor at both Kensington Publishing and Adams Media, she enjoys working closely with authors to develop projects. She welcomes first-time authors with a unique voice and point of view.

She is seeking: contemporary women’s fiction, narrative nonfiction, humorous tales and young adult & middle grade fiction. Read more

Agent Advice: Sally van Haitsma of van Haitsma Literary

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This installment features Sally Van Haitsma of van Haitsma Literary. Sally earned her B.A. and Masters of Communication from the University of California, San DiegoTransitioning to publishing, she worked at an alternative weekly newspaper, the San Diego Reader, before agenting at the Castiglia Literary Agency. Sally lives with her husband Dirk Sutro and an eclectic library of books, in Encinitas, Calif.

She is seeking: specializes in commercial and literary fiction, narrative nonfiction, memoir, pop culture, education, business and current affairs. Although we do not represent genre fiction (historical, romance, horror, fantasy, sci-fi), we are interested in works of a more literary bent that include these elements. Read more

Agent Advice: Sarah LaPolla of Curtis Brown, Ltd.

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This installment features Sarah LaPolla, an agent with Curtis Brown, LTD. She had been working with CB since 2008. With her own MFA in Creative Writing from The New School, Sarah loves getting to work directly with new and developing authors.

She is seeking: literary fiction, narrative nonfiction, urban fantasy, paranormal romance, science fiction, literary horror and young adult fiction. Read more

Agent Advice: Adam Friedstein of Anderson Literary Management

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This installment features Adam Friedstein of Anderson Literary Management, LLC. He was previously at Trident Media Group.

He is seeking: He primarily represents debut literary fiction, literary thrillers and suspense, young adult fiction, memoir, and narrative and serious nonfiction (politics, education, biographies and more).
Read more

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