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September 2014 Issue
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Is Your Manuscript Ready for Publication?
Is Your Manuscript Ready for Publication?
After an evaluation of your submission, one of the professional 2nd Draft critiquers will provide feedback and advice. You’ll not only learn what’s working in your writing, but what’s not, and—most important—how to fix it.
2nd Draft provides a high-level review of your writing, pointing out reasons your work may be getting rejected, or may not meet the standards of traditional publication.
This interview features Shira Hoffman of McIntosh & Otis, Inc. Shira began her career in publishing as an intern at Tor Books and has been with M&O since 2007. In 2013, she took over as Director of Subsidiary Rights. She also Tweets @ShiraSHoffman.
She is seeking: mainstream commercial fiction, mystery, literary fiction, women’s fiction, romance, urban fantasy, fantasy, science fiction, horror and dystopian. Read more
This installment features Brooks Sherman of FinePrint Literary Management. After a two-year stint with the Peace Corps in bucolic West Africa and a one-year stint in the savage jungles of Hollywood, he is thrilled to be living once more in Brooklyn. As befitting his chosen career in publishing, he subsists on a diet of breadcrumbs and bourbon.
He is seeking: Adult fiction that runs the gamut from literary and upmarket to speculative (particularly urban/contemporary fantasy rooted in realistic settings, horror/dark fantasy, and magical realism), as well as historical fiction and crime fiction. On the children’s side, he is seeking middle grade novels of all genres (but particularly fantasy adventure and contemporary), and is open to YA fiction of all types except paranormal romance. He would especially love to get his hands on a dark and/or funny contemporary YA project Read more
This interview features Laura Dail of Laura Dail Literary Agency. The Duke University graduate received her Master’s degree in Spanish from Middlebury College. She has served on the board of the Association of Authors Representatives (AAR) and currently chairs the AAR Royalties Committee. She also Tweets.
She is seeking: Laura’s now especially interested in historical and high-concept fiction, funny YA, humor, and serious nonfiction. Read more
This installment features Sara D’Emic of Talcott Notch Literary Services, LLC. The Emerson College grad has been an editorial/PR intern for Last Light Studio and an editorial intern for Hanging Loose Press, and she’s excited to be extending her client base. She also Tweets.
She is seeking: In fiction, she accepts adult and YA fantasy, sci-fi, horror, mystery, and mainstream fiction. She is also interested in nonfiction science and technology. Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Dennis Mahoney, author of the 2013 literary novel FELLOW MORTALS. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings with literary agents. Read more
She is seeking: literary and commercial fiction, science fiction, women’s fiction, historical fiction, mystery, horror and thrillers. For nonfiction, she accepts biography, memoir, food & lifestyle, science, technology, medical, health & fitness, how-to, religion & spirituality, dating & relationships, pop culture, entertainment, travel, history and military. Read more
This interview features Michelle L. Johnson of Inklings Literary Agency. She is a literary agent, the founder of Inklings Literary Agency (formerly of the Corvisiero Literary Agency), and she has a business administration background in addition to a lifetime of working with books (sales, editing, and writing) and authors (marketing, promoting, event planning). She is also a script/story consultant for an independent film under production in Halifax, NS.
She is seeking: contemporary, steamy romance, suspense, thriller, mystery, horror, fantasy, paranormal and supernatural elements in adult, new adult and young adult fiction. Her nonfiction interests include memoir and true crime. Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog. This installment is with young adult writer Nicole Steinhaus.
“… Fast forward a year, two more manuscripts, three SCBWI events, an embarrassing amount of research on agents and writing craft, and I was ready to query manuscript number three. But I wasn’t about to make the same mistakes as before. This time I queried only a few agents at a time, revised based on their feedback and queried again. This process continued for seven months before deciding the manuscript needed a complete genre overhaul. I rewrote the story from scratch, mutating it from a contemporary to a dark suspense. Just before I was ready to query again, I came across Bree Ogden’s blog where she stated she was especially interested in darker plots…” Read more
Conference Spotlight: The South Carolina Writers Workshop (Oct. 21-23, 2011) Has 11 Agents Taking Pitches
What’s better than being on the South Carolina beach in October? Being on the South Carolina beach in October pitching agents who seek new clients — that’s what. If this sounds appealing, I highly suggest you check out the 2011 South Carolina Writers Workshop, held Oct. 21-23 in Myrtle Beach, SC. Eleven agents will be there. I’ve presented at the workshop before and loved the event. Keep reading to learn more. Read more
I just got back from the 2011 Reno Writers Conference at Truckee Meadows Community College. I have to praise organizer Kathy Berry for putting together a smooth event that had its best … Read more
The very cool Suzie Townsend of New Leaf Literary (formerly of FinePrint Literary Management) contacted me yesterday with news that she is looking to acquire more adult fiction works to complement her love of juvenile fiction. See Suzie’s entire explanation of her needs on the post itself. (Also learn how she wants to be queried.) Read more
When I first opened Greyhaus Literary Agency in 2003, I decided to focus simply on romance and women’s fiction. Since that time, I honestly don’t know how many times I have been asked “What is the difference between romance and women’s fiction?” It seems that, in my humble opinion, the line has really been blurred between these two genres. There is fiction with romantic elements. There is literary fiction told from a female perspective … the list goes on and on. Read more
This installment features Emily Forland of Brandt & Hochman (formerly of The Wendy Weil Agency, Inc.). Emily is in her twelfth year at The Wendy Weil Agency, Inc. In addition to representing her own list of authors, she also handles the agency’s foreign rights. Originally from Texas, she has a B.A. in English from the University of Chicago, an MFA in Poetry from Sarah Lawrence College, and an MFA in Graphic Design from the School of Visual Arts in New York.
She seeks: The Wendy Weil Agency, Inc. represents fiction and nonfiction for the trade market. We work with literary and commercial fiction, mystery/thriller, memoir, narrative nonfiction, journalism, history, current affairs, books on health, science, popular culture, lifestyle, and art history. Read more
This installment features Elisabeth Weed of Weed Literary. She previously worked at Curtis Brown and Trident before starting her own agency.
She is seeking: She handles “upmarket women’s fiction as well as an eclectic mix of non-fiction, with an emphasis on narrative, investigative and women’s issues from the humor driven to the thought provoking.” Read more
This installment features Joanna Stampfel-Volpe of New Leaf Literary.
She is seeking:”chap books to upper YA (non-fiction, contemporary, humor, historical and fantasy *fantasy/sci-fi needs to really stand out, unique), romance (historical, paranormal, contemporary), fantasy (women’s, urban, steampunk, unique), up-market fiction (dark, literary, horror, dark comedies, speculative fic), narrative non-fiction (pop culture, environmental, foodie).” Read more