How I Got My Agent: Caroline Starr Rose

“How I Got My Agent” is a recurring feature on the GLA blog. I find it fascinating to see the exact road people took that landed them with a rep. Seeing the things people did right vs. what they did wrong (highs and the lows) can help other scribes who are on the same journey. Some tales are of long roads and many setbacks, while others are of good luck and quick signings.To see the previous installments of this column, click here. If you have a literary agent and would be interested in writing a short guest column for this GLA blog, e-mail me at and we’ll talk specifics.

Caroline Starr Rose‘s first book, May B., a
middle-grade historical novel-in-verse, will
be released Fall 2011 (Tricycle Press). Caroline
blogs about writing, reading, and the
publication process online. 



I came to the querying process in fits and starts and with lots of misinformation. Because an agent isn’t a necessity in the children’s market, I’d never consistently looked for one. It was easier to submit directly to editors, bypassing what, to me, felt like a superfluous step. Every so often, while waiting a year or more on an exclusive, unsolicited submission (what was I thinking?), I’d reconsider trying the agent route. Then I’d remind myself agents represented established authors, not green ones, like me.

On my first attempt at finding an agent, I sent out a dozen queries to those listed in the Children’s Writer’s and Illustrator’s Market guide. One resulted in a full request, another in a partial. The full came back with a handwritten page gushing about how great my manuscript was and how someday I’d sell the piece and have to let the agent know, but the story wasn’t right for her agency. The partial was returned with “I think I’ll pass.”

I got caught up in revisions of my other manuscripts (I’d written four middle-grade novels and seven picture books), and the lure of conference one-on-ones. The agent search never really got off the ground.


Last spring, I won a contest at a local writing conference. My prize included a meeting with an editor who specialized in fantasy, sci-fi, and women’s fiction—a world apart from my historical MG novel. She took one look at my manuscript and asked, “Why don’t you have an agent yet?”

That’s when I started submitting in earnest, sending three to five queries at a time. I combed through blogs like Cynsations, Literary Rambles, and the Guide to Literary Agents blog, looking for any mention of agents taking on new clients. By May, I’d gotten my first full request. In June I received two more. In July another two. In September, yet another two.

By October, I’d had ten agents request fulls and two ask for partials. One agent liked my story, but felt some significant changes were necessary. I thought through her suggestions but took things in another direction, coming up with an entirely new, stronger ending. In the days I spent revising, two more agents requested fulls, bringing my total to twelve. I contacted the first agent, telling her I’d made changes to the story, though not along the lines she’d suggested. If she was still interested, I told her, I’d be happy to send the manuscript along, but I also wanted her to know two more agents were reading the newer version. She graciously told me she’d love to see the story if the other two agents passed. One did. One didn’t.


I found Michelle Humphrey on the Guide to Literary Agents blog and fell in love with her upbeat attitude about the publishing process (“Make rejection pie!” she said). She responded to my query the next day. A week and a half later, she e-mailed me, saying she’d read my manuscript in one sitting and wanted to talk to me about it as soon as possible. Less than two weeks after reading Michelle’s GLA post, I had an agent.

Not long after, I spent a morning reading through the submission records I’d kept ten years running. Some information I’d had to fish out of other folders, but for the most part, I had a pretty accurate (though low-tech and messy) list of manuscripts, submissions, editors, agents, and rejections. Here’s what the records showed:

  • 11 years of writing (10 years of subbing)
  • 11 manuscripts
  • 211 rejections from editors (2 fulls and 1 partial requested over the years)
  • 12 contests/grants entered (1 win)
  • 75 rejections from agents (12 fulls and 2 partials requested, mainly last year)
  • 1 yes! (Thank you, Michelle)

Writing books for kids or teens? One resource
you need is The Everything Guide to Writing
Children’s Books


You might also like:

  • No Related Posts

21 thoughts on “How I Got My Agent: Caroline Starr Rose

  1. Elwood Henry

    Folks, let’s get real here. We’re talking about an unpublished author, and an author that won’t be published for a very long time. Until it goes to the presses, nothing is guaranteed.

    Just a little perspective before anyone gets too excited.

  2. Dorraine

    Thanks for sharing your story, Caroline! Congratulations on landing that agent. I particularly enjoyed seeing the numbers. I’ve got my own long list, and I’m a pro at making rejection pie. Hopefully, I won’t have to make it much longer:-) Many thanks for the inspiration and much success to you.

  3. Elwood Henry

    It’ll be more inspirational once it actually gets published. With that date being 16 months away, what’s to keep it from getting pushed farther out, or completely off the burner?

  4. Sherrie Petersen

    Oh, Caroline! What an inspiring story! I’ve read your blog for quite a while but I had no idea your road was so long. Thanks for sharing your stats. It’s encouraging to know. I’m building my own rejection pie over here 🙂

  5. Elwood Henry

    The one thing I noticed, but no one else has mentioned, is that her book will not release until Fall of 2011 — another year and a half! Is the gestation period really that long for a manuscript?

  6. Natalie Aguirre

    Caroline, Thanks for sharing your inspiring story. I’ll try to remember your count when I start querying. Congrats on your success.

  7. Sheri Larsen

    Carolyn is my hero. She’s been gracious enough to honor me with an interview for my blog and offered a first chapter critique as the grand prize winnings in my current contest. She’s the epitome of who writers aspire to be: neverending in our craft, striving until the assured is set: our dream manuscript is accepted.


This site uses Akismet to reduce spam. Learn how your comment data is processed.