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November/December 2014 Issue
Free Writing Downloads
Workshops Starting November 1st
- Blogging 101
- Social Media 101
- Writing Children's Picture Books
- Conflict & Suspense Writing
- Write Great Dialogue
- Revision and Editing
- Science Fiction and Fantasy
- Form and Composition
- Turning Personal Stories in to Memoir
- The Art of Storytelling 102: Showing vs. Telling
Workshops Starting November 6th
- Blogging 101
How to get published — read hundreds of helpful Writer’s Digest guest columns from published writers teaching the craft and business of writing.
People ask me – you’ve got a child, a job, a commute, a house to run. How do you fit it all in? Well, to start with, all that stuff about scheduling my day, setting aside proper writing time, settling myself into a solid routine? Forget it.
That’s all shiny and fine if you’ve the time and the space. If you’ve got the job, and the family and the multipack of other fun responsibilities, you know it doesn’t work like that. However good your intentions, it’ll get messed up within three days of that nice chart thing that you’ve pinned to your fridge. That’s just how life works. So:
1. Master the art of snap-writing… Read more
There is a fairly common misconception about what >b>revision means. That is, if you are a talented writer, you will write an inspired first draft, which you can perfect by making sentences better, fleshing out characters, checking facts, catching continuity problems, and the like. But real revision – in fiction at least – is a rigorous imposition of the imagination on a piece of writing that is certain to be incomplete, or that is fatally unsure of itself, or has a surety that will be revealed as false if you look closely.
True, there are some brilliant works that have come to the writer as a whole. This is a mystery to writers (and scientists, when it happens to them), and we’re all lucky if it happens once in a lifetime. Best not to count on it. Best to come to an understanding of what revision really entails. Read more
The sketchbook is filled with pictures and possibilities of what the story can be. I leave it up to my Editor and Art Director to pick out the things that they think our audience will respond to. Then I start figuring out what is going to happen inside this wonderful 32-page picture book I get to create. Some writing will take place at this point but only of plot points or beats I want to hit in the story. Sometimes a line or a phrasing will appear. Read more
2. Write when you’re hot. Practice pays off, but if the daily grind really isn’t your thing, then follow your instincts. Write when you’re ready to pour whole chapters/stories/volumes out onto the page. Mihaly Csikszentmihalyi has spent his career considering the behaviors and thought processes of creative folks: writers, scientists, comedians, mountain climbers, visual artists, musicians, chess players. The common link? An emphasis on entering an “ecstatic state” while engaged in their chosen art form. With that in mind, while you’re on a hot streak, and can feel yourself engrossed in a project, go with it, and keep on going.
GIVEAWAY: Ariel is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: j4london won.) Read more
2. Begin with character. Make her flawed and believable. Let her live and breathe and give her the freedom to surprise you and take the story in unexpected directions. If she’s not surprising you, you can bet she’ll seem flat to your readers. One exercise I always do when I’m getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper and start with, “I never told anybody…” and go from there, writing in the voice of your character.
GIVEAWAY: Jennifer is excited to give away a free copy of her latest novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Karen Gough won.) Read more
2. “The Stalking Test” — Staring at a boy or girl from a distance is fine, every once in a while. Especially if the staring shows something he/she is doing that helps the reader get to know him vs. telling how attractive he/she is. A few mentions of observation/appearance are plenty. If your main character or main love interest spends an unhealthy amount of time observing another person without that person knowing, it’s probably gone a bit overboard.
GIVEAWAY: Kasie is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Rosi won.) Read more
1. While you should certainly feel free to include characters of whatever age you choose, make sure there’s at least one teenager. While young adults often read books without teenaged characters (I was partial to Somerset Maugham stories and Solzhenitsyn, to cite a needlessly bizarre example) those generally aren’t considered part of the YA genre.
2. Make things more complex, not less. You may feel an impulse to simplify things in an attempt to make your story more accessible, but I would resist that. Read more
2. Give yourself permission to keep writing. I’ve heard writers say, “If I haven’t sold something within the next two years, I’ll know I should give up.” Or, “If I don’t make money from writing by January, I’ll know I should stop spending so much time trying, because it’s disruptive to other areas of my life.” But by giving the universe an ultimatum, you’re letting external circumstances decide the course of your creative pursuits. Instead, take charge of your own future. Give yourself permission to keep writing despite discouraging feedback or missed timeline targets. Believe you deserve to continue, no matter what happens.
GIVEAWAY: Holly is excited to give away a copy of King Solomon’s Wives: Hunted to a random commenter. (Comment within 2 weeks.) The book is digital — for Kindle, Nook, and Android, and through the Kindle app on iPhone, iPad, PC, and Mac. (Update: souldancer won.) Read more
If you’re struggling with writer’s block, don’t get discouraged. This happens to every great writer at some point, and it’s easy to overcome it. I get stuck many times in the middle of a novel. I lose my muse and don’t feel like writing. I stare at the computer screen and no words come to mind. My head feels stuck, stuck, stuck. It can be frustrating. After twenty years of writing historical thrillers and supernatural horror novels, I’ve learned how to get past writer’s block. Here are seven powerful ways you can get back into the flow of writing… Read more
Can’t afford a publicist?—Be your own: YouTube, Facebook, Twitter, and literally hundreds of book blogs have made it possible to get the word out to millions of potential readers. Would your book appeal to a special interest group (Civil War buffs, oenophiles, knitters)? Use the Internet to find those groups and let them know about your book.
GIVEAWAY: Steven is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: jackiegillam won.) Read more
Writers constantly have rules thrown at them left, right, and center. Show, don’t tell! Stop using so many dialogue tags! More sensory detail! More tension! Speed up the pace! Yada yada yada … it can become overwhelming, yes? I used to feel overwhelmed by it all too. In fact, I still do sometimes. It’s hard enough to get the words on the page, let alone consider how to put them there.
GIVEAWAY: Jessica is excited to give away a free copy of her book to a random commenter. Comment within 2 weeks; winners can live anywhere in the world. You can win a blog contest even if you’ve won before. (Update: RebeccaReynolds won.) Read more
I wrote “unparagraphs”, I aimed for imbalance, I stayed in the moment indefinitely, I realized my maximal self on the page. Most importantly, I wrote myself on to the page. And I learned, as all writers must, how to write in the face of rejection. I received a rejection from an editor I admired, and the next day I wrote.
Guest column by Jay Ponteri, author of the 2013 memoir WEDLOCKED. Read more
Agent Nephele Tempest Teaches You How to Write an Excellent Synopsis: April 25 Webinar With Critique
Writing a synopsis is usually one of the most difficult things about pitching a novel. It’s incredibly difficult to summarize your entire book in just one page. How do you condense all that info? What gets cut? How much detail should you give? Is it worth mention elements like subplots and character arc?
These types of questions are why we have literary agent Nephele Tempest (The Knight Agency) to teach “Conquer the Dreaded Synopsis: Construct Your Ultimate Sales Tool” — a brand new live webinar at 1 p.m., EST, Thursday, April 25, 2013. It lasts 90 minutes, and all attendees will get their synopses personally critiqued by Nephele following the event. Get agent eyes on your work! Don’t forget that at least 3 agents from major agencies have signed writers after seeing their work as part of a WD webinar. Read more
Different writers have difficulty with different parts of the writing process. Some hate fiddling with background information. Others despise revising. Others can’t stand outlining. Me? I have the most trouble with drafting.
By “drafting,” what I mean is this whole “get the story down on paper” part of writing. It’s not that I have trouble coming up with new material, or that I don’t know where the story is going, it’s just that I have trouble getting what’s in my head down onto paper.
GIVEAWAY: Kat is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: justsaymoo won.) Read more
2. Write something completely different. A teacher at school gave me this advice. When you’re stuck, don’t just try to think outside of the box. Try a whole other box. If you write YA, try writing a steamy scene. If you write thrillers, try writing a picture book. The change in format and tone will force you to break out of your comfort zone, to push your boundaries. You’ll discover new ways of expressing yourself, new limitations and new freedoms, and you can apply the new tricks to your existing work. If nothing else, trying to write something different might just remind you of how much you love writing your old stuff! Read more
… I did this one other thing on the third floor. I’d always make a detour to the spot where Close Is Fine would go if it ever found publication, which in this case was right between John Treherne’s The Walk to Acorn Bridge and Hans-Ulrich Treichel’s Leaving Sardinia. When I got there, I’d reach up and wedge my hand in and make an opening. I’d step back and let my eyes go a little crossed, and I’d force myself to see it: the title running down the spine, with the Cutter, the label on which the call letters were printed, at the bottom.
GIVEAWAY: Eliot is excited to give away a free copy of his collection to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: Jarika won.) Read more
1. Do the math. Before you undertake the final throes of a deadline, you should map out how much time you have and how much writing you have to do. It’s a terrible SAT math question: if a novelist only has so much time to write x-amount of words, how long before it feels as though those two trains are coming straight at him/her? (show your work). Read more
I wrote Anne Rice an email. She wrote me back fifteen minutes later. I couldn’t believe it. Here I was, a stranger, and she immediately wrote me a kind, friendly note. Having a positive relationship with your readers pays off. Readers are more likely to buy your book if they feel a personal connection to you. They’re more likely to mention your book to their friends, because they want to brag about how they interacted with the author. I’ve had readers introduce me to reporters, set up book signings and get me speaking engagements. Here are 4 simple points to help build healthy relationships with your readers… Read more
1. Communication style: How does your character talk? Does she favor certain words or phrases that make her distinct and interesting? What about the sound of her voice? Much of our personality comes through our speech, so think about the way your character is going to talk. Her style of communication should be distinctive and unique.
GIVEAWAY: Tom is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Update: KarenLange won.) Read more
Emerging writers often ask me if literary agents are necessary in today’s publishing world. I say, emphatically, yes! Why? Because after the current turbulent evolution of publishing stabilizes, traditional publishers will continue to exist and play a vital role in the production of books. And why do I believe that? Because most writers want to write. Just write. We know we must help market our books, and that is time-consuming enough, but most of us don’t truly want to do the job of a dozen industry professionals. Read more
2. Careful Who You Ask. Just because you want to seek other readers of all shapes and sizes, that does not mean that you should ask just anyone to give you feedback. It’s really important to rely on people whose opinions you trust (seems obvious, but it’s easy to make the error) and who don’t have baggage about you or writing in general. Complicated relationships can be just fine in life, but they’re not a good basis for exchanging notes. Make sure you rely on friends or fellow writers from whom you can comfortably take criticism and not “frenemies” or critical family members. Read more