Guest Columns

Fight scenes are dangerous territory for writers. On the surface, they seem as if they’re guaranteed to keep the reader glued to the action in the same way as they often do at the movies. In reality, though, readers tend to skip over fight scenes – skimming the long, tedious, blow-by-blow descriptions in favour of getting back to the dialogue and character-driven drama that truly engages them in the story.

My novel, Traitor’s Blade, is a swashbuckling fantasy in which fight scenes are a crucial part of the storytelling. This means having to ensure that every piece of action is vital and engaging; it means that every duel must draw the reader in and not let them go until the end. So how do you keep the pacing, flow, and more importantly, the drama moving forward with so many fights?

GIVEAWAY: Sebastien is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. Read more

In the fall of 1986, I was ten years old, and I found myself sleeping on the muddy ground of a temperate rainforest on an island in Washington State. The muddy bed was supposed to be temporary. My alcoholic Salvadoran stepfather was building a wooden pyramid for us to live in, one that would channel the occult magic of ancient Egypt. My mother was convinced he was the messianic revolutionary hero she had foretold in clairvoyant visions.

Before the pyramid could reach its glorious completion, however, my stepfather threatened to kill the neighbors in a drunken rage. We had to break camp hurriedly, before the cops arrived, struggling down the trail with our most prized possessions. The first thing I evacuated out of the mud was my crate of journals, the repositories for my creative writing and poetry. My correspondence with myself was often my only form of friendship, my only mechanism for processing the chaos and violence around me, and, most fundamentally, the only proof that I ever existed. I wrote to live… Read more

Someone once told me, “You can’t get by on just being nice.” But in the publishing world, if you’re nice to readers they will adore you and you’ll sell more books. Here’s proof.

I had no intention of buying John Searles’ novel Help for the Haunted when he visited Colorado recently. I have two shelves full of books by local authors I want to support. But I haven’t read them all. (You’re a reader and writer, so you own these lonely books, too. Admit it.) Read more

1. Know your quality-writing speed and stick to it. Though it took six months to write and edit my debut, The Outcast, I often worked eight-hour weekdays. I had an agent’s interest in the manuscript; this, combined with the fact that I was expecting our first child, let me know that I needed to strike while the writing iron was hot. My daughter was twelve weeks old when I began crafting the first draft of my sophomore novel, The Midwife, and I simply could not write full-time now that I was also a full-time mom. Read more

So you’re working on a story, and there comes a point where it really ought to have a fight scene. But you’re sitting there thinking, “I’m not a martial artist! I have no idea how to fight!” Or maybe you’re thinking, “Fight scenes are so boring. I’d rather just skip over this and get back to the actual story.” Or something else that makes you dread writing that scene, rather than looking forward to it with anticipation.

To the first group, I say: the details of how to fight are possibly the least important component of a fight scene. The crucial components are the same ones you’re already grappling with in the rest of your writing—namely, description, pacing, characterization, and all that good stuff. To the second group, I say: it’s only boring if the author does it wrong.

GIVEAWAY: Marie is excited to give away a free copy of her e-book [mobi or epub formats] to a random commenter. Comment within 2 weeks; winners can live anywhere. You can win a blog contest even if you’ve won before. (UPDATE: Debbie won.) Read more

Every aspiring author dreams of that first book contract. I landed one in April 2010 when Dorchester Publishing bought my crime thriller, The Highwayman, for a small advance. Success! I began writing it in 2007, finished it in 2008, queried, and got the usual round of rejections. Rather than believing all of those agents and editors were crazy, I figured there must be something wrong with what I was doing.

I attended the Deadly Ink mystery writers conference in New Jersey and met panelist Chris Roerden, a manuscript editor, and I purchased her book, Don’t Sabotage Your Submission. Her panel discussion and insightful book crystallized why I was being rejected. I used boring words—in addition to using too many! I larded my manuscript with adjectives and adverbs (which have since been largely culled) to amaze my readers with my descriptive prowess. I explained stuff in bulky blocks of text that the late Elmore Leonard advises to keep to a minimum because readers tend to skip over them…

GIVEAWAY: Matt is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal. Also note that Matt’s novel comes out later this year, so he will mail the winner’s book once his author copies come in.) (UPDATE: Reynard won.) Read more

I did not at any point request that my teacher refer to me as “the most happily disturbed writer” he’s ever known, nor did I request this quote be emblazoned across the top of my first book. And, yet, there it is.

I wasn’t at first comfortable with this. My wife and children don’t really think of me as a “disturbed” person, and as people who care about the world my wife and I don’t really relish the suggestion that I might be compounding the world’s troubles by adding to its many disturbing stories with even more “disturbed” stories of my own.

But the more I thought about it, the more I realized being “happily disturbed” didn’t have to be the identity problem I’d first feared. The fact is, I am disturbed. The world and its many problems do disturb me. If the world didn’t disturb me, I’m not sure I would be a writer of fiction. Read more

I’ve been seeing a lot of posts recently, listing different ways readers can support authors. Most of them are pretty good ideas: buy their books, give them reviews, etc. I’m all about supporting authors; my book budget alone could support an army in one of those countries you’ve never heard of. (Assuming said army liked to read middle grade and YA.)

But when I read these lists, I can’t help wondering if the authors who post them spend as much time thinking about what they can do for their readers as they do about what readers can do for them. I know, I know, you spent years slaving over your manuscript. Isn’t that enough? Read more

Since I first saw Ralph Bakshi’s animated Lord of the Rings, I knew I wanted to be a writer. I’m not alone in that. Lots of folks dream of getting a book deal someday. They chase the dream in a lot of ways. Reading obsessively. Going to writing conferences. Signing up for English Literature or Creative Writing MFA programs.

Me? I joined the military.

My third novel hits shelves in just two weeks, coming out from the biggest publisher in the world. I’ve got three more under contract after that. Sure, joining the military maybe wasn’t the most obvious route, but I sure am glad I did it. Here’s what it taught me… Read more

If you’ve ever tried to write a fast draft during NaNoWriMo (National Novel-Writing Month) and been unable to complete it, you’re not alone. Plenty of people attempt to get that important first draft down on paper, so they can move to revisions with an eye for deepening characters and motivations, and finessing the plot. But more often than not, writers end their month of drafting with a partially-written draft that they’ll never look at again.

It doesn’t have to be this way! Don’t go into fast-drafting alone and without a plan. Find some camaraderie, some writer friends who will hold you accountable, and then make a solid plan for the book you’d like to not only finish, but market one day. Here are a few suggestions to help you put a plan into place before you start drafting, so you have a better chance of success…

GIVEAWAY: Denise is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Ron Estrada won.) Read more

Christmas 2013 was approaching fast. Tinsel and lights were everywhere but my festive cheer had taken another blow. I had just received yet another rejection for my debut contemporary romance novel “Rock My World”. I had received positive comments but ultimately, it was another “Not for us thanks.” I’d been firing it out to agents and publishers for months and although I had received some great feedback, there was no offer of representation or publication.

I remember trailing round the local supermarket the next morning, trying not to frighten small children with my glum expression. The faint strains of “Ding Dong Merrily On High” were crackling through the PA system yet I wasn’t feeling that merry. Read more