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November/December 2014 Issue
Free Writing Downloads
Workshops Starting October 23rd
- World-building in Science Fiction & Fantasy
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- Breaking into Copywriting
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Workshops Starting November 1st
- World-building in Science Fiction & Fantasy
How to get published — read hundreds of helpful Writer’s Digest guest columns from published writers teaching the craft and business of writing.
The first revision is probably the most important factor in sculpting your novel. One of my favorite quotes to express this idea is by Shannon Hale who wrote: “I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box so that later I can build castles.” The first revision is the building of those sand castles. There are numerous tips to a successful rewrite, but I’ve found three that I’ve put at the top of my list to make my novel better.
Conflict check: On my rewrite, I first do a conflict check. Kurt Vonnegut once wrote that every character in a scene should want something, even if it’s only a drink of water. On my first draft, I will usually focus on the main plot point of the scene. In doing so, I miss opportunities to add tension, great and small, to a chapter. On the rewrite, I ask myself: what does every character in that scene want, and what obstacles are standing in his or her way. Read more
It’s obvious that technology in the last ten years or so has changed our daily lives to an extreme. Cell phones, Facebook, Twitter, texting…on and on the list goes, and it’s growing every day. The way we communicate has been utterly transformed. Face-to-face interactions have decreased, while gadget-to-gadget interactions have increased. What does all this mean for the writer? Especially regarding our characters, and the way they communicate with each other inside our stories?
First, I think writers have to learn to walk the tightrope of not letting technology interfere too greatly with characters or plot, while at the same time being realistic with it. For instance, it would be unthinkable not to have a single mention of a character using a cell phone in a contemporary story. But how much technology is too much? Two main points worth considering, when it comes to characters and technology… Read more
There isn’t a certified qualification or course on world-building (well, not in my neighborhood), but every story requires it. Whether your tale is set in a real place or an imagined one, you need to establish your characters’ world so that the reader can suspend disbelief and fully engage with their story.
Of course, the more differences to our own world you introduce, the more you need to focus on getting those details absolutely right – but you need to do it in such a way that they almost fade into the background so the reader is instead focusing on the characters and the story. You don’t need to explicitly create and explain all aspects of your world in the first couple of chapters. Without some story developing in these chapters your reader may not persevere further into the book. Read more
The most commonly acknowledged form of rejection for a writer is the rejection of one’s work by a publishing house. After spending months, if not years, shaping a story, you submit it hoping for acceptance and publication. Sadly, this is the exception, not the rule. The average writer is more likely to have a story rejected—often multiple times—rather than published immediately.
It’s important to note that this does not immediately translate to fault on the writer’s part. The acquisition process is subjective. A writer is at the mercy of the preferences of the editor and the publisher’s existing catalog. In other words, it may be that the story isn’t right for that publisher, not that the story isn’t worthy of publication. Hand-in-hand with this is the preference of the acquiring editor. As much as we all want to believe we are 100 percent objective, this isn’t so. Bias always exists and your story may not resonate with the editor leading them to reject it. Read more
“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Jaime Martinez-Tolentino, author of TAINO. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings. Jaime’s literary agent is Leticia Gómez, who founded her own literary agency, Savvy Literary Services. Read more
1) Structure Scenes like Mini-Novels: Each one should contain its own narrative arc, with rising action and a climactic moment that signals the end of the chapter. It’s good form to finish most chapters on a cliffhanger—especially the first one. A major dramatic question should be raised in the opening scene, and then resolved in an unexpected or unfavorable way to hurl the main character further into the conflict (and thus drag your readers into the story). Get your protagonist in trouble as soon as possible and never let her get too comfortable or too safe. As far as chapter length, I’ve found that an average of five pages (double-spaced, size 12) works well for keeping up the pace.
GIVEAWAY: Kira is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. Read more
Above your desk is a bulletin board, crammed with outlines, assorted index cards with character descriptions, fliers from places you went for research, cards from agents and editors you met at assorted writers conferences, a postcard from a favorite book (note to self: next query don’t forget to mention your story is just like this one!), yellowed movie stubs from Crazy Stupid Love and Pride and Prejudice, a calendar indicating all the dates from sent queries, and a plethora of erratically stuck Post-it notes of varying colors and sizes holding minutiae ranging from brilliant snippets of dialogue to the color of the suit your villain will wear when he jumps the hero behind the warehouse. Read more
You know those times when you wish you were completely alone? Not because you wish for peace and quiet, but because you hate the fact that others witnessed what just happened to you? I’m talking about those embarrassing moments, the ones when your face burns so hot that you feel like you might just melt down into the ground – and you wouldn’t mind if you did! You know, those moments!
Here’s my advice for what to do next time you have a mortifying moment: harness it. Use it to fuel your writing. Allow yourself to be empowered by embarrassment. It can add humor to your writing and boost audience appeal. Trust me, humiliation is hot. It is!
GIVEAWAY: Kami is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. Read more
We have been writing Steampunk since 2009; and even after five years, we still face the question of the ages: What is steampunk? Perhaps a lazy, shallow way to look at the genre is to simply call it “Victorian Science Fiction” and that be the end of it. Truth be told, this is merely your first step.
While history looks at the 19th Century as the Industrial Age and the late-20th century as the Computer Age, the concept of computing devices were realized by mathematician, inventor, and engineer Charles Babbage as early as 1812. His mechanical computation devices at the time were considered more of a curiosity rather than innovation, but Babbage’s theories served as inspiration for The Difference Engine by William Gibson and Bruce Sterling. Best known for their offerings in cyberpunk, Gibson and Sterling created an alternative Industrial Revolution where Babbage’s inventions were the norm, creating a struggle between the working class Luddites (who fear technology) and an “enhanced” elite that wanted as much integration with these technological wonders as possible. Read more
Now, there are really two different types of rejection letters. The first one I don’t have a big problem with. These are the letters for projects that might not be quite right for what I am looking for, or for stories that might not be ready for publishing yet. With stories like this, we can often take the time to provide a few suggestions for improvement, or to discuss why the story is not right for us. Yes, writing the letters takes time, but when I hit “send” I feel as if this author might be one step closer to publishing. Read more
1. Thinking that your book will sell itself. I have five books published with Simon & Schuster and let me tell you: They do not walk off the shelves. I made the mistake of becoming complacent and thinking that because I had a huge publisher behind me that I didn’t need to do much PR work to promote myself. In the words of Julia Roberts: “Big mistake. Huge.”
I watched my friend and author Becky Wicks work like a demon to promote her indie book Before He Was Famous and within 12 hours of it going live on Amazon it had sold nearly 500 copies. She worked her BUTT off for months prior building an audience, interacting on Twitter and Facebook and building a fan base from scratch. She rocks. It’s totally inspired me to do the same. Read more
Fight scenes are dangerous territory for writers. On the surface, they seem as if they’re guaranteed to keep the reader glued to the action in the same way as they often do at the movies. In reality, though, readers tend to skip over fight scenes – skimming the long, tedious, blow-by-blow descriptions in favour of getting back to the dialogue and character-driven drama that truly engages them in the story.
My novel, Traitor’s Blade, is a swashbuckling fantasy in which fight scenes are a crucial part of the storytelling. This means having to ensure that every piece of action is vital and engaging; it means that every duel must draw the reader in and not let them go until the end. So how do you keep the pacing, flow, and more importantly, the drama moving forward with so many fights?
GIVEAWAY: Sebastien is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Mutineer won.) Read more
I was ready. I had an edited manuscript. I had a tiered list of agents. I had a spreadsheet. I’d read every scrap of information about getting an agent, and I was prepared, at last, to submit my novel. The process could take months, maybe years, I’d heard. I was in for the long haul, baby. The good news is it didn’t take years to get an offer of representation. The even better news: That offer came in the form of four magic words, words I’d been told to wait for by all the experts: I love your book.
Not just a Facebook-worthy thumbs up, not a “I think I can sell this.” Love. The reason you wait for true love in publishing is because publishing requires it, and not just from the author. Remember the feverish crush that helped fuel your first draft? Your agent needs that same big-eyed reverence for your book to take it out to editors, hoping for another love connection. So how do you snag one of these lovey-doveys for yourself?
GIVEAWAY: Lori is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Christa4F won.) Read more
Keeping your character(’s) traits consistent is very a important step in polishing your manuscript, especially if it’s written from multiple points of view (POVs). For example, if you have one character who … Read more
You’ve written a book. You know what it is to work with the elements, to muster something slippery and intangible into something with form. Likely, you’ve sweated on it and dreamt it.
Finishing my first novel, The Untold, felt to me like crawling out of a dark room after a winter that lasted too many seasons. Draft after draft, revision after revision, I had remained in that dark room determined that what was on the page would eventually match the vision I held for it. These things take time, as it happens, so much time. And it must be a solo process. I don’t know any writers that work well with their legs or arms twisted around another. So, aside from the inherent challenges of actually writing a novel, you must also get very good at spending long periods of time with yourself. For better or worse. There are times when I felt that I had aged a year in a day and that the book might actually bury me. But it didn’t. I finished it. The winter ended… Read more
In the fall of 1986, I was ten years old, and I found myself sleeping on the muddy ground of a temperate rainforest on an island in Washington State. The muddy bed was supposed to be temporary. My alcoholic Salvadoran stepfather was building a wooden pyramid for us to live in, one that would channel the occult magic of ancient Egypt. My mother was convinced he was the messianic revolutionary hero she had foretold in clairvoyant visions.
Before the pyramid could reach its glorious completion, however, my stepfather threatened to kill the neighbors in a drunken rage. We had to break camp hurriedly, before the cops arrived, struggling down the trail with our most prized possessions. The first thing I evacuated out of the mud was my crate of journals, the repositories for my creative writing and poetry. My correspondence with myself was often my only form of friendship, my only mechanism for processing the chaos and violence around me, and, most fundamentally, the only proof that I ever existed. I wrote to live… Read more
When I first got the idea to bring Bonnie Parker and Clyde Barrow back to life in a young adult novel, I was faced with multiple dilemmas:
• Write it in a modern day or historic setting?
• Portray the outlaw couple as monsters…or humans who made mistakes?
• Create a love triangle, a love ‘em and leave ‘em story, or skip romance altogether?
• Who should tell this story––Bonnie, Clyde, or someone else?
• Do modern teens even know who Bonnie & Clyde are?
GIVEAWAY: Kym is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Maureen A. won.) Read more
Someone once told me, “You can’t get by on just being nice.” But in the publishing world, if you’re nice to readers they will adore you and you’ll sell more books. Here’s proof.
I had no intention of buying John Searles’ novel Help for the Haunted when he visited Colorado recently. I have two shelves full of books by local authors I want to support. But I haven’t read them all. (You’re a reader and writer, so you own these lonely books, too. Admit it.) Read more
Writing can be a very solitary profession. And most of us like it that way – huddled at our vintage desks or curled up on our couches, muttering to ourselves while our coffee grows cold.
But once that draft is finished…then what? Well, I suggest you don’t run a quick spell check, type up a query and then send that puppy to agents the next day. What I do suggest is you find yourself some critique partners, other writers with whom you can trade manuscripts and feedback. I can say, without a doubt, that my critique partners were a key ingredient to my success at landing an agent and a book deal. Without them, my chocolate cookies would be hard. My cake wouldn’t rise. My soufflé would be flat. My…well, you get the idea, right? But not all critique partners are created equal. Here are the top five things you should look for in a critique partner.
GIVEAWAY: Megan is excited to give away TWO free ebooks of her novel to random commenters. Comment within 2 weeks; winners can live anywhere. You can win a blog contest even if you’ve won before. (UPDATE: rampmg and meetmilena won.) Read more
1. Know your quality-writing speed and stick to it. Though it took six months to write and edit my debut, The Outcast, I often worked eight-hour weekdays. I had an agent’s interest in the manuscript; this, combined with the fact that I was expecting our first child, let me know that I needed to strike while the writing iron was hot. My daughter was twelve weeks old when I began crafting the first draft of my sophomore novel, The Midwife, and I simply could not write full-time now that I was also a full-time mom. Read more
Some people don’t place a lot of weight in zodiac signs; they think they’re arbitrary and pointless. But as a typical Leo, I measure my very worth by my sign: we’re generous, loyal and proud. Most of the time, the last trait serves me well; it bolsters my confidence and provides me with an innate sense of ability and optimism. But there’s a reason that pride is one of the deadly sins, often proving more hurtful than helpful.
My first job out of college was as a junior copywriter at an advertising agency. In this entry-level position, I was relegated to the status of a newborn, having to learn everything with a fresh set of eyes, even if I had been told I was a great writer… Read more
You have ideas for stories, but when you launch your word processor, you stare helplessly at a blank page. Every time you try to write, you end up spending the evening watching videos of cats on YouTube instead. Why is this happening? We’ve all been there. Here are a few things that might be getting in your way:
1: You don’t know which story to pick. You don’t just have one idea, you have several. Writing a book is a big commitment. You want to take time to carefully consider what you’ll be spending the next year slaving over. No sense rushing in to things, right? Read more
When friends know that we’re writers, they sometimes ask us to read and critique their works-in-progress. Handling these requests can be awkward. As friends, we want to help; as writers, we want to protect our own writing time. If we offer professional critiquing services, as many of us do, we also want to protect our earning time. Here I offer several perspectives, from rather delicate situations, on how to handle friends’ requests.
When You’re a Fellow Writer: Pearl told me a truly horrendous story about helping a colleague. She had met Lydia (names changed for protection) in a local coffee shop. They bonded over a mutual devotion to mystery novels, respective blocks, and laptop frustrations, and started meeting monthly… Read more
I scare children for a living.
As the author of a middle grade horror series, my job is to deliver stories that frighten and thrill my readers. Those readers tend to range in age from ten to fourteen, which makes delivering on that task more difficult than you might imagine. My readership is growing up in the age when video games are rife with monsters and violence, when YouTube offers limitless access to scary independent films and, of course, when “The Walking Dead” is the number one show on television. So, if I want to inspire some good old fashioned fright in my fans, I need to do more than yell “Boo!” Here, then, are seven tips for scaring the pants off of young readers:
GIVEAWAY: Ty is excited to give away a free copy of his novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (UPDATE: Lisa won.) Read more