7 Things I’ve Learned So Far, by Trevor Shane

This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers (this installment written by Trevor Shane, author of the debut thriller CHILDREN OF PARANOIA) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent — by sharing seven things they’ve learned along their writing journey that they wish they knew at the beginning.



Trevor Shane is the author of Children of Paranoia (Dutton; Sept. 2011), 
which Psychology Today said “kept this reader’s attention rapt until it’s
done.”  See his Facebook page here



1. Query in tiers.  My most practical advice is to query in tiers. Everyone (myself included) will tell you to be careful to choose the right agent for your work. The problem is, when you’re trying to get your first book published, it’s really hard to turn down any agent who wants to represent you. The simplest solution is to query in tiers. Identify your top five dream agents. Send your initial queries to them and then wait (the waiting, as they say, is the hardest part). Only move on to tier two when you’ve exhausted tier one. Then rinse and repeat.

(Chapter 1 cliches and overused beginnings — see them all here.)

2. Don’t write what you know. Let what you know inform what you write. Herman Melville knew a lot about whaling. He spent time on whaling ships. Whaling is pretty exciting stuff; more exciting than anything I do during the day. And yet, when Melville sat down to write Moby Dick, he didn’t simply write a book about whaling. He wrote a book about a one-legged, tyrannical sea captain obsessed with killing a near-mythical, giant, albino sperm whale that bit off his leg.

3. Pace (#1). This one is essential if you’re writing a thriller or action book but important no matter what you’re writing.  The most important, least discussed aspect of any book is its pace. You need to control the pace of your book the way a composer controls the pace of his music. Sometimes you want sections to speed up. Sometimes you want sections to slow down (not everything needs to, or should, be fast). The easiest way to control pace is through sentence length and word choice. Shorter sentences and shorter words make for quicker reading.

(Learn how to protect yourself when considering a independent editor for your book.)

4. Pace (#2). This one is literal. I’m a big proponent of physically pacing. Some people will advise you to turn off the internet while writing. I won’t go that far because I find it’s too good a research tool to turn off.  Instead, whenever I’m stuck on a plot point or dialogue or anything else, I literally stand up and pace the room. I go for a walk. I fold some laundry. I do something physical that is otherwise utterly mindless. It gives my brain time to rest and work things out without my frustrations getting in the way. I believe that some problems simply can’t be solved sitting down.

5. Pace (#3). Be aware of the pace of the publishing process. Nothing in this business happens as quickly as you’ll want it to. Agents are busy people. It sometimes takes them a while to get back to you.  Publishers are busy people. The publishing process has a lot of steps I never knew about. Even after you’ve sold a book, it takes a long time for it to actually be published. Be aware of the slow pace of the process and realize that the best way to stay sane during all of this is to keep on writing.

(Check out our growing list of thriller agents.)

6. Try to work with people you trust and then trust them. Getting feedback on your work, whether from friends, agents or editors, is incredibly frightening but it’s essential. The only way to get over that fear and that doubt is to work with people you trust. Getting criticism from someone you trust doesn’t make it easier to take but it does make it easier to accept. Once you’ve accepted it, you can use that criticism to make your work better.    

7. As far as I can tell, it never stops being scary. Letting people read what you write is frightening. This doesn’t change because you get an agent. It doesn’t change because you sell a book. Maybe Stephen King isn’t frightened anymore when he sends a first draft of his latest work to his editor—but I’d be willing to bet that he is. Very simply, if it’s not scary, it’s probably not worth it.



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3 thoughts on “7 Things I’ve Learned So Far, by Trevor Shane

  1. HuffmanHanni

    I like the three pacing points. The one regarding actually book pacing is something I think a lot of writers, and readers!, forget about. I personally don’t mind the quieter and slower parts of a book if there is a reward when the pace and story picks. I’ve read books that were so non-stop with action, that they left me physically and emotionally drained after I was finished. This can be good but I think there can be too much emphasis on a story being fast-paced. Quiet parts are just as important.

  2. kiteflyer

    Trevor, ditto on the wonderful post. It’s succint, helpful and delivered in a humble reassuring way. I too am close to starting the daunting process of submission and I appreciated reading your advice. I’m printing this post and pinning it to my desk.

    Best wishes,


  3. stewartronen

    Trevor, my hat off to you. This is one of the best posts I’ve read in a long time. As a self-published author and one who has almost completed his second novel and will soon be throwing himself in the arena of literary agents and publishers, I agree with every single point you make and I like the way you say it.

    Thank you and kind regards,



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