7 Things I’ve Learned So Far, by Alexis Grant

This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers (this installment written by Alexis Grant) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent — by sharing seven things they’ve learned along their writing journey that they wish they knew at the beginning.

 


Alexis Grant is a journalist writing her
first book, a travel memoir about backpacking
solo through Africa. See her website here.

 

1. No story’s about the author. A memoir revolves around the author’s experiences and ideas—and so can fiction and nonfiction. But the story is never really about the author. It’s about something larger than one person, a theme readers can relate to, one that makes them reflect on their own life. My memoir, for example, is my story of backpacking through French-speaking Africa. What’s it really about? Why each of us should take a leap in life, and the value of traveling solo. I’m an important piece of that. But the story’s not solely about me.

2. Artist’s colonies are worth jumping into. I consider myself a journalist, not an artist. But during my first artist’s residency this year, when I spent five weeks in the woods of northern Georgia, I learned that I really do write more and better in a quiet setting with no distractions. I also met other creative types who opened my eyes to new ideas and fed my writing fire. Finding the time—and sometimes the money—to go to a colony can be difficult, but you’ll be glad you did.

3. Writing a memoir is a lot like writing fiction. It’s nonfiction, of course. All my stories are true. But they have to be told with dialogue, description, scene-setting, pace, characters—the same tools I’d use to write a novel. (These skills do not come naturally to someone who has used direct quotes and right-to-the-point leads for most of her writing career.) Writing this way takes practice. It helps sometimes to remind myself that my true story should read like a novel.

4. Exercise has more than physical benefits.
Stuck on a scene? Sick of a chapter? Taking a break to go for a run or walk the dog isn’t wasted time. It’s a chance to think about the story without the pressure of having to put words on paper. Your brain is still working but in a different way, which may benefit you and your story in the long run (pun intended). I do my best thinking when I don’t mean to—while running.

5. A problem can be solved by writing through it. Not sure where the story’s going or whether there’s a bigger lesson behind a scene? You’ll never know if you don’t start writing. Put words to paperany wordsand sometimes the muse works her magic, bringing the story to a place you didn’t expect. Other times that scene should go right into the trash. But even knowing where the story’s not going can help. And often the best way to figure that out is to write through it.

6. My favorite parts aren’t necessarily important to the story. I loved watching the sun set over the Niger River—but that memory, however important to me, might not help my book. For every scene, we must ask ourselves: What’s the reason for including it? Does it propel the story forward? How does it benefit the reader? When it comes to your favorite parts, ask yourself these questions twice. Just because it’s good for you doesn’t mean it’s good for the story.

7. If it’s embarrassing, it’s probably a keeper. Details that feel the most revealing tend to be the ones that let the reader into my head and help them understand me as a person—and that’s what memoir is all about. Whenever I’m tempted to cut an embarrassing paragraph,* I remind myself that those are usually the parts my readers enjoy most. Of course, this rule of thumb can be taken too far—a memoir is not, after all, a diary. But most of our face-reddening habits or thoughts serve a vital purpose in our stories: they make us more human. If it helps the reader relate to you, it’s worth keeping.

 


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0 thoughts on “7 Things I’ve Learned So Far, by Alexis Grant

  1. Judith van Praag

    Thanks to Chuck for giving the opportunity and for Alex for lining up great pointers!
    Alex, your #1 made me think of another writer’s statement that a memoir shouldn’t be a ME-moir. #2 Is to the point for me at this very moment since I’m thinking about a residency, but wonder whether leaving my comfortable writing den is worth it. You may just help me take the plunge. #7 May be last on your list but definitely not the least important thing to keep in mind. Any subject that makes you want to go clean the oven, could be exactly what will make your story tick.

  2. Marianne Elliott

    Great tips Alexis. I agree wholeheartedly with your advice about going for a walk or a run. Many times when I’ve been walking along the beach, thinking about nothing in particular I’ve suddenly found the solution to something that had previously stumped me.

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