Author Archives: Cris Freese

ssoliver

Literary Scouts: How to Get Your Book Directly to a Publisher

Note: The following is a guest post from Stephanie Stokes Oliver, an author, editor, and scout for Simon & Schuster’s Atria Books. For more information on Stephanie’s scouting guidelines, see below. You can find her online at stephaniestokesoliver.com. Cheers! You’ve finished your manuscript, and are preparing to begin your search for the perfect agent...

Helen Adams, Zimmermann, Agent, Literary Agency

Meet the Agent: Helen Adams, Zimmermann Literary

Helen Adams (formerly Zimmermann) got her start in publishing more than 20 years ago: first at Random House—where she became Director of Advertising and Promotion—then as Author Events Director for an independent bookseller, where aspiring writers would often ask her how to get published. “I would always say, ‘You need to find an agent,’”...

paula munier, beginnings, how to write beginnings

Brainstorming for Story Ideas

The best beginnings are based on strong story ideas that immediately set the book apart from all others of its ilk. If you have a bad feeling that your story idea is not compelling or unique enough to hook agents or editors, much less readers, then this post is just for you. Because all...

Write Short Fiction

The Strategic Use of Short Fiction

The new world of self-publishing options calls to mind the golden age of the pulp magazines. During that era, roughly 1920–1950, writers could earn decent money pounding out stories and novellas for a penny a word. Later, the 1950s boom in mass-market paperbacks provided another source of lettuce for the enterprising author. Production and...

85th Annual Writer’s Digest Writing Competition Winners

Writer’s Digest would like to congratulate the 101 winners of the 85th Annual Writer’s Digest Writing Competition! For full coverage of the awards, please check out the November/December 2016 issue of Writer’s Digest. Grand Prize Sabrina Hicks, “Blink” (Children’s/Young Adult Fiction). Read Hicks’ winning entry here. An extended Q&A with our grand prize winner...

CraftingDynamicDialogue

Using Internal Dialogue to Achieve Multiple Effects

Internal dialogue is the inner voice of character. Which is, frankly, a very metaphysical subject. In most modern cultures—and, consequently, most modern literature—there’s a dichotomy within the self: there’s an I and a Me. I like my eyebrows. I have to be strict with myself when it comes to pecan pie. Internal dialogue is...

emotion, fiction, stakes

How to Create Moral Stakes in Your Fiction

We experience life as feelings. Yet, so much fiction is written to minimize feelings or leave them out altogether. It’s as if emotions are not a fit subject or writing about them is too simplistic. Even fiction that celebrates feelings, romance for instance, can sometimes work with only a limited and familiar emotional palette....

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5 Things Breaking Bad Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other week, I’ll bring you...

writing-brain

How to Review Your Plot: Using Your Notes and Outline at Revision

You’re nearing the finish line and feel like you need a final push forward to reach completion. You’ve slogged your way through the long, seemingly interminable middle, and your energy has flagged. Writers often experience self-doubt in this stage (worrying that it won’t come together well), and some have issues with finishing things. Your...

Fiction Writing

How to Write Suspense Like Stephen King

Aside from the fact that no less an authority than William Faulkner recommends reading widely in different styles and genres, there’s still another compelling reason why you might want to study Stephen King’s novels no matter what kind of writing you do. King is the number one horror writer in America, but you don’t...

television, writing

6 Things American Horror Story Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other week, I’ll bring you...

paula munier, beginnings, how to write beginnings

Strong Beginnings: A Trick to Editing Your Novel

The best beginnings possess a magical quality that grabs readers from the first word and never lets them go. But beginnings aren’t just the door into a fiction world. They are the gateway to the realm of publishing—one that could shut as quickly as it opens. Nail a beginning and you can potentially land...

television, writing

6 Things Friends Can Teach Us About Writing (Part 2)

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other week, I’ll bring you...

The Secrets of Story

How to Use Objects to Strengthen Your Characters

One of the most common techniques fiction writers fail to implement is the use of objects. Chances are, your character isn’t just standing there, spouting off dialogue. The character is doing something with his hands. She’s exchanging a business card. He’s fiddling with a pencil. Objects provide concreteness to scenes and bring importance to...

Online Exclusive: Q&A with Sabrina Hicks

“Blink,” by Sabrina Hicks, is the Grand Prize winning story for the 85th Annual Writer’s Digest Writing Competition, besting over 6,000 entries across 10 categories. For complete coverage of the 85th Annual Writer’s Digest Writing Competition, please check out the November/December 2016 issue of Writer’s Digest. You can read “Blink” here. What do you...

Online Exclusive: Sabrina Hicks’ “Blink”

“Blink,” a young adult/children’s short story by Sabrina Hicks, is the Grand Prize winner of the 85th Annual Writer’s Digest Writing Competition. You can read an extended interview with Sabrina here. For complete coverage of the 85th Annual Writer’s Digest Writing Competition, please check out the November/December 2016 issue of Writer’s Digest. Blink When...

Understanding character development using the tv show Friends.

6 Things Friends Can Teach Us About Writing (Part 1)

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other week, I’ll bring you...

How to write strong dialogue, from the TV series Fargo.

3 Things Fargo (Season 2) Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll bring you...

Friday_Night_Lights_title_card

5 Things Friday Night Lights Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll bring you...

Freese-Headshot

3 Things House Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll bring you...

Freese-Headshot

5 Things The Path Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll bring you...

Mary's photo

Creating Setting and Subtext in Your Fiction

The following is a guest post by Writer’s Digest author Mary Buckham, author of A Writer’s Guide to Active Setting: How to Enhance Your Fiction with More Descriptive, Dynamic Settings. She is also the author of the USA Today bestselling Invisible Recruits series, which has been touted for its unique voice, high action, and...

Dunder_Mifflin,_Inc

4 Things The Office Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll bring you...

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4 Things Wayward Pines Can Teach Us About Writing

I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other Monday, I’ll be bringing...